Folk-rock star Mike Scott, known for Waterboys, says he regrets meeting his greatest musical inspiration, David Bowie.
Speaking before his presentation at Acoustic Stage on Saturday night, Scott told Sky News that when he came face to face with his character, he said, “Hello, Dave,” adding, “It was a little cheeky on my part.”
He continued: “I remember him recommending me to listen to The Pixies, which was his favorite band at the time.
“I felt I knew him, you see, I felt so familiar with him.
“He was cool. I wish I had met him after one of my shows when he came to see us play.
“He came to see us play in a theater in New York shortly after 9/11. And someone said to me just before the concert: “David Bowie is sitting at the table right on the balcony there” … The first few songs I suddenly thought about a lot. “
Inspired by Bowie, as well as Bob Dylan and the Beatles, Scott said the artists impressed him with their ability to transform:
He said: “[Bowie] changed from Ziggy Stardust, who is rock’n’roll, to young Americans, who was soul music, and then changed again when he made the Berlin recordings.
“I liked the fact that he would change so dramatically… and Dylan in the sixties and the Beatles, of course, because the Beatles revolution was spectacular.”
This is an ability that The Waterboys have also developed as they have performed over the years. This is the 12th year at Worthy Farm for Scott’s Scottish-Irish rock and soul band and the 15th performance (one year he said they performed three concerts, another two).
However, Scott admitted that he met the festival’s founder Michael Ivis only about half an hour ago, adding: “But what a wonderful man. And I respect him so much that he kept Glastonbury intact, didn’t turn it into a corporate thing, didn’t lose his soul at the event. “
Scott said the festival – which attracts about 200,000 people each year – has achieved the seemingly impossible.
“They kept the original spirit of the festival. I remember in 1984, my first visit was very small, alternative, illegal and magical,” he said.
“It’s still there, even though it’s huge, they found a way to let it grow while keeping the original spirit intact. It’s an amazing thing.”
Two years stand out in his mind: “I remember our performance in 1986. It was powerful for us. We were the recruiting band and it was a great moment when we played during tea, I think the first day, Friday, and it was a really inflammatory show …
“But the best time I had at the festival was my first festival in 1984, when I stayed up all night hanging out and doing everything the audience did.”
An additional bonus this year – finding one of the legendary secret places of the festival.
“We went around around 3 in the morning and found a strange farm that was full of people with an open bar and playing music.” I looked for her and never found her again.
“It was like Brigadun, the magical village that only appears once every hundred years. I never found it again. I can’t even find it on the map.
In 2007, Scott survived the rainy Glastonbury, describing the “ocean of the moon” he had to contend with.
He continued, “It was a mud bath. Everyone had to buy Wellington boots along the way. We were in London a little while ago and I remember that there were no Wellington boots in London because everyone was involved (wanted) for Glastonbury. Isn’t that funny? Somehow we have a little. “
He said that was the year when Shirley Basie, who played at the Legend slot, wore diamond-encrusted Wellington boots to protect herself from the slop.
Although such a fan of Glastonbury’s return to basic principles, Scott did not camp during his visits, preferring to stay at a hotel in Bristol instead.
“Camping is not me. No, “he admitted, then admitted,” I could do the glamping because they have these nice tents with suitable beds. And I could do it.
“I love sparkling water, a little honey from literally some fruit. And I always ask for a mug of whole milk. There’s a reason for that – so I can put it in my muesli tomorrow morning at my hotel.”
Since the home of Glastonbury, Worthy Farm, Pilton Somerset is a dairy farm, this should be a simple request to be granted.
After two forced years due to the COVID-19 pandemic, the band released a new single inspired by the Glastonbury Fayre Festival.
Co-written by band leader Scott and multi-instrumentalist Paul’s brother, the song is a love letter to Glastonbury documenting the band’s first performance in 1984 and each visit since then in a series of fun and revealing verses that test Radiohead, Billy Bragg, Courtney. Barnett and Glastonbury Thor.
Scott said his young daughter, who aspires to participate, is “proud” of him and hopes to take her to the festival next year.
But far from Glastonbury, how did The Waterboys evolve and, more importantly, survive in the volatile world of commercial music?
Scott chose The Waterboys as the name of his band from a line in Lou Reed’s song The Kids on the Berlin album.
He explained: “I loved the word Waterboys. I didn’t know what it meant. Now I know, of course, that he is the person who carries the water of the gang chain or the sports players. And it’s a daily word in America, but not here in the United Kingdom. “
As for their hit song The Whole Of The Moon, he said rumors that it was about the author CS Lewis or the late singer Prince are not entirely true.
He said: “It wasn’t really either. It’s a kind of character who suddenly appears as a shooting star, like Jimi Hendrix’s character, and burns so fast. Or maybe Sid Barrett, the Pink Floyd vocalist we saw too much and got burned. “
The song reached number 26 in the charts in 1985 and number three in 1991 – a second chance after DJs played it in the Balearic Islands.
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He said the song’s second success made him happy, as well as earning royalties when its new success led to an increase in radio.
Another of the band’s hits – Fisherman’s Blues from 1988 – marked a new direction in the sound of Waterboys, as he saw them switch from their earlier spectacular material for “big music” to a weaker Celtic folk sound.
He said his interest in old country music, gospel music and acoustic music led him to deviate from so-called “big music”, which he said was the product of “a lot of duplication in the studio” and “very difficult to play together”. .
Then he decided to “undress” him, developing a more “rock and roll sound” for the band. He said they have since developed a “more funky” sound.
The Waterboys will appear at various festivals in the UK this summer, and their new album All Souls Hill is now on the market.
The Waterboys star Mike Scott for his only regret David Bowie, random rave anthem and performance in Glastonbury | Ents & Arts News
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