Paula Vogel’s Obscene Tells a behind-the-scenes story of Sholem Asch, a highly controversial Yiddish play God of revengeFrom the first reading by a group of Yiddish in Warsaw in 1907 to the American premiere on Broadway in 1923.
Ash’s play is about a fine Jewish family who runs a brothel. Their daughter falls in love with a prostitute. The first audience in New York was deeply shocked by the lesbian relationship. It was the first time two women had kissed on the American stage. American Jews also found the play unpleasant and feared it might fuel an anti-Semitic view.
Broadway runs were shortened when one of the cast, producer, and theater owner was charged and later convicted of obscenity. They were found guilty. However, the verdict was overturned by the appeal.
Vogel’s Obscene It was performed on Off-Broadway in 2016 and on Broadway in 2017. Rebecca Teachman won the Tony Award for Best Director, and Teachman oversees the cast in London. Menie is a great place to play.
Finbar Lynch, who plays the stage director, and Joseph Tims, who plays Sholem Asch, lead a great ensemble, including Peter Polycarp. Very Yiddish performances include cabaret songs and stylized dance, accompanied by small live klezmer bands (accordion, violin, clarinet).
Two important excerpts from God of revenge It will be executed. There is a soap opera in which a father learns that his daughter is having an affair with a woman and throws a scroll of the Law to the ground. When lesbians fall in love in the rain, they are lyrical.
Ash’s play is too little to know if it’s good and still feasible. Some people may feel that the entire performance should have been performed in Yiddish by a Yiddish actor. But it is artistically and commercially impossible only if the theater is part of an international season, such as the World Theater season, which was performed at the Old Witch Theater in the 1960s and 1970s. is.
In Vogel’s final scene, the entire troupe returned to Warsaw in World War II in the 1940s.They are still acting God of revenge Secretly and at great risk in the attic
Teachman’s production ends with a list of famous Broadway shows by Jewish writers projected on the back wall. This is a very long list and reminds us of how much the Broadway audience has relied on Jewish writers for entertainment.
Robert Tanitch reviews vulgarly at Menier Chocolate Factory Theater in London
Source link Robert Tanitch reviews vulgarly at Menier Chocolate Factory Theater in London