The revamped Donmar Warehouse begins with a new play commissioned by Cordeliarin about Polish history and hostility to the Jews, showing how the inherited guilt is passed down from generation to generation. increase.
Tom Motherdale takes the production of Elayce Ismail to such a good start. It’s not just his Gauche ignorance. It’s his body language and expressive hand movements. He is chatting with a young Jewish physicist played by Abigail Waynestock on a very entertaining and impressive professional stage debut.
Motherdale is cast as a leftist activist and poet. Their duo rogue covers a 10-year on / off relationship with numerous power outages that suggest the passage of time. The text is sharp. Performance is sharp. Timing and pace give you a good grasp of your audience. Narration is exaggerated and unnecessary.
Couples carry their trauma within them. Sometimes he says deeply aggressive anti-Semitic things, albeit almost himself. Their precarious relationship is carried out against a deteriorating political situation. War is coming – 100 years of war.
The last moment of action travels back in time to the ancestors of the town of Lemberg and the brutal pogrom of 1918. The epilogue feels fixed and has a jar of transition. The audience is in a completely different play and style.
Robert Tanitch reviews love and other violence at the Donmar Warehouse Theater in London
Source link Robert Tanitch reviews love and other violence at the Donmar Warehouse Theater in London