Robert Tanitch reviews Life of Pai at Wyndham’s Theater in London

The fantastic and philosophical novel by Canadian author Yann Martel won the Booker Prize in 2002. 20 million copies have been sold. The movie version of Henry, which was a huge success in 2012, won many awards.

Lolita Chakrabati adapted it to the stage. The play premiered in Shefield in 2019. We are currently arriving at the West End. Without Covid, I would have arrived earlier.

The production is beautifully directed and designed. Directed by Max Webster and designer by Tim Hatley. Puppet shows give joy and surprise. Nick Barnes and Finn Caldwell are doll designers. Caldwell is also the director of the puppet movement.

Wyndham’s Theater has transformed. The curved bow of the stage protrudes into the auditorium. The stall seats have been scooped up.

Life of pi It is a proof of the power of God and faith (Hinduism, Christianity, Islam). The very likable Hyrum Abesekera is often cast as a 16-year-old pie who survives the shipwreck and is hospitalized. He stayed on a lifeboat in the Pacific for 227 days, and his only companion was the Royal Bengal Tiger called Richard Parker.

A roaring, greedy tiger is great in his size and danger. Three puppeteers are involved: inside, outside, and around. Movement, agility, conflict and fighting are exciting.

The power is in telling a story. The extraordinary journey is spiritual, realistic, dark and brutal. Keywords are dangerous. The pie is having a hard time surviving. There are two stories. Which story do you like? Is it wild animal or human?

The stage manager is great. The transition from a bare clinical room to a lifeboat and the sea, and the stage seems to be flooded with water, but the speed is amazing.

This visually original and emotionally involved puppet show is seen all over the world and is sure to appeal to the audience who enjoyed it. War horse..

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Robert Tanitch reviews Life of Pai at Wyndham’s Theater in London

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