In the early ’70s, sequin-studded Rod Stewart was in awe of Marc Bolan, the crown prince of glam rock.
“I respected him as the master for laying those tracks,” he said of the genius behind Jeepstar, Get It On, Ride a White Swan, and Telegram Sam. I’m talking.
This was an era of pop decadence, soundtracked by addictive hooks, carried on quirky make-up, platform heels, large flares, and even larger waves of ego.
It wasn’t just things like Borane, David Bowie’s alter ego, The Rise and Fall of Ziggy Stardust, Mott the Hoople, Sweet, Slade, and Roxy Music that led the prosecution. (Not to mention the shameful Gary Glitter).
A few years later, half a century after Tyrannosaurus appeared in Top of the Pops and began a cultural phenomenon, Rod lovingly pays homage to Borane.
His song Born To Boogie is T. With the Rex number and the same name as the old concert movie directed by Ringo Starr, it captures the “dandy” mark in prime numbers and features an unruly dark curl mop.
“He was standing 5 feet 4 and was a kid of his generation. He was a kid in the East End who caused a sensation of rock and roll,” says Rod. “When he played the guitar, he was a rock god and a baby-faced assassin.”
Born To Boogie is just one of the highlights of his endlessly entertaining new album, The Tears Of Hercules, which perfectly captures the spirit of his inspiration.
“The song fits Marc Bolan’s groove,” he says. “I hope you like his fan club.”
Rod thinks of the noisy days of 1971. “When The Faces was supporting T.Rex, I first met him at the Wheely Festival.”
It started as a small event with a capacity of 5,000 people in an unlikely setting in the village of Essex, not far from Clacton.
“We bought clothes together”
But when the Isle of Wight Festival failed that year, Wheely attracted well over 100,000 people. Status Quo, King Crimson, and Lindisfern shared the bill, loading more rock acts of the day.
“We just had Maggie May and it was difficult for Mark to follow us, but he was brave enough to admit it to me and the boys,” he says. rod..
Boran died in a car accident two weeks before his 30th birthday in 1977, shocking the world of pop and continuing to regret the sensation of his fellow charts.
“He was very kind. I loved him, loved his music and wanted to talk to him when he was alive,” Rod confesses.
He remembers Granny Takes A Trip, usually at a star boutique, when they went shopping for clothes together on King’s Road in London. “There was a really good American guy who worked there,” he says. “He used to go.’You don’t want to try it, Mick (Jagger) already has it, try this.'”
Did he have a favorite item? “Yes, it’s a pink jacket with big red cherries,” Rod decides in no time.
Regarding his boots, he adds: “I don’t wear a huge platform like Elton. There were few wedge soles.”
So I ask him, why did he start writing and playing songs in 2021 about the glam rock pioneer Borane?
“I started thinking about him because something must have happened,” he replies.
“Then this truck came in and Marc Bolan just shouted.”
He was very kind. I loved him, loved his music and wanted to talk to him when he was alive.
Marc Bolan Rod
The second part of the chat with Rod to celebrate his new album, the 2018 Blood Red Rose Follow-up, delves into the fascinating backstory of some of the songs.
The last track, Touchline, is one of the most raw and personal things he has ever done.
In essence, this is another compliment, this time a compliment to his father, Robert, known as the “plumber by trade,” and also includes a moving reference to his mother, Elsie.
“I asked myself: is this very valuable?”
The song revisits the funeral of a father, “Sad but Humorous Incident,” in which a mother suffering from memory loss thought her husband had just gone to a gambling shop.
Rod says: “We had to tell her,’He’s in front of the box, mom.'”
“When those lyrics fell on paper, I had to ask myself. To mention your mom? And memory loss? How can I put it in a song?”
“When the words are staring, you think,’You’re not going to run away with it!’
“But God has given me a voice to make things compelling.”
The touchline is a beautiful, orchestrated acoustic ballad with the best husky delivery of rods.
The song begins with the line “Standing every Saturday afternoon and raining on its worn-out face,” followed immediately by the line “I saw my sons play their favorite game.”
Rod pays homage to Bob’s dedication to him and his two brothers, the football pitch and how they wanted to succeed in life.
“He was born in Reese and came down to live in London,” says his son, who literally picks up the ball, runs with it, and hasn’t stopped since.
“What did he teach me?” Muse Rod and repeat my question. “He always said,’You’ll run out of money soon, so take care of your money. I did it at The Faces, so obviously I learned nothing from him when it comes to finances. I didn’t get it!
“My father taught me to respect women. He also said,” I couldn’t kick with my left foot, so take your left foot.
“He was a quiet man until he entered the touchline. Only the touchline heard him swear, but he never said f-word.”
In his dad’s cry, Rod’s favorite was “Let the bloody ball do the job!”.
Now, of course, it’s his turn to see his two little sons, Alastair and Aiden, indulge in their family’s passion for football.
“Kids team that runs as well as playing”
“The touchline is a dad’s song. In the song, I say,” I hope my boys see their boys, just as I see my boys now. “
Mega Celtic fan Rod runs Young Hoops, a team under the age of 10 with his own AstroTurf pitch, wearing classic green and white strips, and funded by a respected benefactor. ..
“I get from them the same joy I got from playing myself. Sometimes I even go to the coach to play games with them,” he says.
“Many of them know I’m famous, but they really don’t know who I am, so it’s very interesting.
“At our award night, young people win trophies, show movies, and famous soccer players send us a message.”
Not surprisingly, it’s Rod’s responsibility to give the final presentation of the night, and he laughs when he recalls the accompanying speech.
“I said to them,” Everyone, all 15, I’ll give you a £ 50 sports voucher each, but you have to do something in return. Every time you meet me To, you have to say hello, and every time I leave, you have to say goodbye. “
When I have a concert, I have to warm up before I sing a single song. I have been doing that for 30 years.
Rod talks about frustration at the 10-year-old tearaway. “I was sitting on the touchline and waiting for them to start training. They didn’t talk to me.
“It was killing me-I put all the money and I buy all the shirts, pitches and floodlights!
“But at least for now,’Hello Governor!'” Hello Rod! “” Hello, Lord Rod! “
So he turns his attention to more songs from The Tears Of Hercules, including the soothing All My Days, the perfect antidote to the tragedy of the recent blockade.
“It’s a sunshine track, a pure escapism,” says Rod. “Until recently, people couldn’t leave on holidays.
“I just want them to sing the song, and hopefully it will make them smile.”
The first of the two great covers is the funky Some Kind Of Wonderful, first recorded by Soul Brothers Six in 1967.
“Yes, I love Scotland and Celtic, so it has a highland atmosphere,” he asserts.
When I hear his voice, I have to say that it rarely sounds good.
When I tell him this, Rod agrees: “Yes, it’s a companion, it’s a jewel in the crown.”
He describes his careful system for caring for it: I have been doing that for 30 years.
“Sometimes it can be painful, but people expect you to get up and sing. I’m like an athlete. I have only a few muscles and need to warm them up. “
Rod reveals that he “needs a lot of water and a rest in his throat.” There is a small sign that “Don’t talk to me, I can’t talk”. Especially when you go shopping!
“But at least people know I’m not rude. If you rest your voice all day, your voice will come back nine times in ten.”
His song “I Can’t Imagine” envisions retirement from his lasting career, but he feels rebellious about continuing as long as “there is air in my body.”
“It’s time to say that, but I always want to keep singing,” he says. “Because I succeeded in the standard album, I don’t necessarily want to continue playing the songs that made me famous.
“I want to do the Royal Albert Hall with a big orchestra.”
Rod has just finished another stay at Caesars Palace in Las Vegas. The flashy show shows what he wants to do, even if it means a few weeks away from his wife Penny and the two boys.
“The audience is sitting right there,” he says. “It’s intimate, but it’s also a challenge, because people come from all over the world and aren’t necessarily fans.
“I’m going,’Who are the British?’ And they are never in expensive seats, congratulate them.
“And if anyone wears shorts without pants, I get angry in a fun way, not when Elvis was doing it and everyone was having dinner.”
For his next album, Uncontrollable Rod is already in the middle of a collection of songs from the big band era, and New Orleans’ “King of Swing” Louis Prima has special inspiration.
Don’t stop him, and let’s face it, he still wears Rod Stewart very well.
1. Once again
3. All my days
4. Some kind of great
5. Born in Boogie
6. Kucoo Aramabama
7. I can’t imagine
8. Heracles tears
9. Wait a minute
10. Valuable memories
11. These are my people
12. Touch line
Marc Bolan’s Rod Stewart regrets and pays homage to the tragic star of his new album, The Tears of Heracles
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