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An amazing journey through the muddy international high-end art market.

Joyce Glasser Review Lost Leonardo (September 10, 2021) Certificate 15, 96 minutes.

Andreas Koefoed’s crazy documentary, Lost Leonardo, Begins with a wonderful 2019 documentary of Nasani Arcan, All prices, quit.Kahn concludes his film with the next announcement Savior MundiIt was by Leonardo da Vinci and had just been sold for $ 450 million at the Christie’s auction. This is the highest ever.

Khan’s film is about the American high-end contemporary art market, where late Chicago art collector and charitable museum donor Stephen Edris suggests that online buying and selling tends to fool tax officials. bottom. Koefoed focuses on the international Old Master Arena, not contemporary art. Art is a novel power game that is given tax avoidance and doesn’t even mention philanthropy.

Kahn’s film analyzed the impact of market power on a variety of contemporary artists and collectors. Koefoed’s film focuses on only one artist, the Renaissance genius Leonardo da Vinci. His paintings are so rare that they are even more expensive. In the 20th century there were only 15 verifiable Leonardos. Hundreds of years after the last attribution, in 2005, a malformed but very powerful painting from around 1500 appeared in the New Orleans auction house catalog. Purchased by Sleeper Hunter Alexander Parish and consultant partner Robert Simon for $ 1,175.

Sleepers are masterpieces that slip through cracks and works mistakenly attributed to the artist below, and hunters are the patient and meticulous people looking for them. Koefoed early tracked the discovery of the parish from New Orleans to New York and London in 2005 ($ 1,175). From London to Geneva in 2013 ($ 83,000,000); from Geneva to Paris in 2013 ($ 127,000). And finally, from Geneva in 2017 to Saudi Arabia. This trajectory highlights two important points.

First, hard-working hunters need a sleeper and a few lucky breaks to justify their research, waiting, and marketing years and spending (Parish is a third partner at an art dealer). Warren Adelson has been added to the team). The second point is, if Hans Christian Andersen wrote today, he would Savior Mundi Keep in mind when he wrote Emperor’s new clothes.. Koefoed juxtaposes deceived experts with cynical art critics and sycophants with principled skeptics.

Parish and Simon’s first job is to certify the painting, and here they are lucky. The series of events, despite expressing a collective will to see the new Leonardo, suspiciously clashes with an array of prominent experts.

Koefoed spends more time following around Diane Dwyer Modestini than any other single contributor, as if waiting for a confession. With her excellent resume and status as the other half of the famous Italian art restorer Mario Modestini, Modestini worked on the restoration of the Sleeper from 2005 to 2012, and perhaps then. Before his death shortly after Sleeper arrived in New York, Mario clearly tells Diane:’It’s by a very nice artist. I don’t know who it is, but it’s a later generation of Leonardo. “

Leonardo’s “workshop” price would have been high, but Diane has shown her positive attribution based on two main factors. First, cleaning revealed that the artist had repositioned his fingers. It is rarely found in copies. Second, there is no line between the lips and nose. Mona LisaAlso around 1500. Later, the catchy title Male Mona Lisa was adopted to promote the painting, especially at the 2017 auction in New York.

There are still some nasty problems with the history.Other than the mention that Leonardo made Savior Mundi (Some of the two chalk paintings are in Windsor), the best that the Hunter Trio can offer is two possible entries in the inventory of art collector Charles I and the 1649 Charles II collection. This is a less descriptive entry in.

With the 2011 Leonardo exhibition at the National Gallery, Parish / Simon and Adelson seize the opportunity to push Sleeper into Leonardo’s canon. National Gallery curator Luke Sison (2003-2012) invites four experts to openly view and comment on the painting. Oxford University Leonardo expert Martin Kemp says prophetic: “Expectations are dangerous because you end up seeing what you want to see.”

What the consensus was was remains ambiguous. However, Sison called Simon and reported that everyone in the room agreed that it was Leonardo. Sison recognizes that including paintings as Leonardo’s signature will increase the number of visitors, increase the gallery’s fame, and, of course, significantly increase the value of the painting.

In this version Emperor’s new clothes, Dangerous dealers, postponed professionals, greedy auction houses, desperate arts institutions, cynical critics, FBI agents, then Eve Bubier. A businessman with encyclopedic knowledge of the art market, Boubie expanded his father’s shipping empire into an armored warehousing business to meet the demand for artwork in tax havens in Geneva Freeport.

There are two emperors in this 21st century parable. The first is Russia’s Oligarch Dmitry Rybolovlev, where it is safer to invest billions of dollars in art than in banks. The second was found to be Crown Prince of Saudi Arabia Mohammad Bin Salman (MBS), who seeks to diversify from oil dependence through cultural tourism.

It’s a coincidence that Bouvier is an art dealer in Ribolofreff, and when Libolofref becomes obsessed with painting after hearing about the National Gallery’s attribution, he asks Bouvier to buy it. Bouvier warns against purchases, not just because of its weak source. He wrote in Livoroflev: “Mr. Modestiny has a financial stake in the sale”; NS [damaged and restored] The face is almost non-existent and the original is only a small part of the painting. The price is too high. “

If possible, the plot will thicken when Livoroflev discovers that Boubie helped with the huge fees that raised its price. This and the disaster at the Russian mine in Livoroflev prompted the Louvre to bring the painting to market shortly before the 2019 Leonardo blockbuster 500 years. MBS to place Savior Mundi Beside Mona Lisa??

Joyce Grasser, a mature Times film critic.



An amazing journey through the muddy international high-end art market.

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